Category: Film

My collected writing on one of my greatest passions: film. I was a film critic in my undergraduate days (trivia: that’s how I met my wife!) but I now take a more philosophical approach to thinking and writing about films I see.


  • Wake In Fright

    Wake In Fright

    Kotcheff | 1971 | Australia | 35mm I’m new to the Yabba, so why not ring up my 1,600th movie with what is probably the best Australian film I’ve ever seen – and on a pristine 35mm print from the National Film and Sound Archive of Australia, while we’re at it. Wake In Fright had […]

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  • Weapons

    Weapons

    Cregger | 2025 | USA Julia Garner now 2-for-2 since Wolf Man and we’re back! Enough here to sustain interest, but a case of there being a great movie in here somewhere that just is never really drawn out. This is likely my own fault, as I went in expecting a much different tone and […]

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  • The Fantastic Four: First Steps

    The Fantastic Four: First Steps

    Shakman | 2025 | USA Trivia Factoid: the subtitle of this film refers to the first steps on the road to forgiveness for Julia Garner (who subjected me to Wolf Man earlier this year).

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  • Le Rayon vert

    Le Rayon vert

    Rohmer | 1986 | France Considered by many to be his greatest film, this was a Rohmer blind spot for me until now. Knowing people loved it, I’d saved it for “the right moment”. Ironically so, it turns out, as the central character is also waiting for something she can’t articulate or read in the […]

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  • Affeksjonsverdi

    Affeksjonsverdi

    Trier | 2025 | Norway My most anticipated 2025 release, and it delivered. In The Myth of Sisyphus, Albert Camus posits that suicide is the only true philosophical question. He ultimately rejects suicide and outlines his absurdist philosophy, using the stage actor as one of his illustrative examples of the “absurd man” [sic]. The stage […]

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  • À bout de souffle

    À bout de souffle

    Godard | 1960 | France 3rd watch; first in cinema. And what a delight to see the recent 4K remaster on the Ritz’s biggest screen in the dark of the matinee. Godard’s manner of punctuating nods to his influences with idiosyncratic formal touches is what makes him inimitable. This is my favourite of his films […]

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  • The Talented Mr. Ripley

    The Talented Mr. Ripley

    Minghella | 1999 | USA I’d never seen this, and can’t stop seeing people note how good Jude Law looks here. And, agreed, but let’s not sleep on late-twenties Cate Blanchett, people. Elsewhere, there just seems to be too much story for a single movie. It’s pacey to the point of feeling like a dot […]

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  • Friendship

    Friendship

    DeYoung | 2025 | USA As somebody who has seen every episode of I Think You Should Leave many times over, it’s very hard for me to take Tim Robinson seriously in any other context. Fortunately, that seems to be a feature of this production rather than a bug. The attempt to balance a very […]

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  • Superman

    Superman

    Gunn | 2025 | USA The character/concept of Superman has never really done it for me. Consequently, this imperfect but well-executed piece of cinema is about as good as I can imagine a Superman movie ever being. There is a thread of humanity here that is rendered tenderly and extratextually rather than aggressively and overtly. […]

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  • La Femme de l’aviateur

    La Femme de l’aviateur

    Rohmer | 1981 | France 3rd watch. A movie that I adore so unreservedly that when I was in Paris last year, I went out of my way to visit Parc des Buttes-Chaumont, where the above sequence was filmed. It’s hard to show a character completely wake up to themselves in merely 106 minutes, and […]

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