• The Brutalist

    Corbet | 2024 | UK, USA | 70mm

    I had the great pleasure of seeing the only 70mm print in Australia. We are constantly handcuffed to our expectations, and it’s an aspect of humanity I find ceaselessly compelling. I try to be above it but therein are expectations nonetheless. And so I feel alive.

    This movie made me feel alive.


  • The Substance

    Fargeat | 2024 | France, UK, USA

    Every frame is compelling, and I melted at the needle drop from the Vertigo score. Margaret Qualley is a generational talent. I’m high on this movie’s supply.


  • Conclave

    Berger | 2024 | UK, USA

    Melodramas aren’t really my bag. They very often create “twists” by withholding information rather than attempting to use your expectations against you. However, this one stays interesting enough thanks to the performances (and rather stunning visuals).


  • Anora

    Baker | 2024 | USA

    Second viewing.

    Still my favourite movie of 2024 so far, and I liked it better this time. Mikey Madison is a force and every movie should be written for her.


  • Nosferatu

    Eggers | 2024 | USA

    Does nothing to demystify the process of buying real estate.

    Gets a long way on imagery. Nicholas Hoult ably provides an emotional core for the story but seems to be in his own, different movie as a result.


  • A Real Pain

    Eisenberg | 2024 | Poland, USA

    I saw a lot of myself in this movie, which can be a confronting coincidence. But this is as funny as it is moving and deftly achieves something few films do: it never robs its characters of their agency.


  • The Royal Hotel

    Green | 2023 | Australia

    99.99% wonderful, and rather unexpectedly so. Unfortunately, it does not stick the landing but everything else (including and especially Julia Garner) is borderline perfect, prompting you to question your own assumptions at every turn. So Australian in idiosyncratic but meaningful ways.


  • Valerian and the City of a Thousand Planets

    Besson | 2017 | France

    Third or fourth watch.

    Criminally underrated (I understand the criticisms but I wholeheartedly disagree with them). The ‘Big Market’ sequence lives rent free in my head for both its inventiveness and execution. Just a relentless delight every time I get to revisit it.


  • Anora

    Baker | 2024 | USA | 35mm

    Sublime.

    I will have more to say but THIS IS CINEMA. Mikey Madison is incredible. If Tangerine was proto Sean Baker and The Florida Project was Realised Sean Baker, this is Actualised Sean Baker. An artist at the height of his powers.


  • Heretic

    Beck & Woods | 2024 | USA

    I really enjoy Sophie Thatcher but sometimes a movie is so exactly what you expected that it feels almost redundant to have watched it.